"Daniel Wells begins a new life as an assistant junior high school teacher in the rural Japanese village of Tonoharu. Isolated from those around him by cultural and language barriers, he leads a monastic existence, peppered only by his inept pursuit of the company of a fellow American who lives a couple towns over. But contrary to appearances, Dan isn't the only foreigner to call Tonoharu home. Across town, a group of welthy European eccentrics board in a one-time Buddhist temple, for reason that remain obscure to their gossiping neighbors." -Pliant Press

"What It Is demonstrates a tried-and-true creative method that is playful, powerful, and accessible to anyone with an inquisitive wish to write or remember. Bursting with full-color drawings, comics, and collages, autobiographical sections and gentle creative guidance, each page is an invigorating example of exactly what it is: "The ordinary is extraordinary." Lynda Barry explores the depths of the inner and outer realms of creation and imagination, where play can be serious, monsters have purpose, and not knowing is an answer unto itself.

How do objects summon memories? What do real images feel like? These types of questions permeate the pages of What It Is, with words attracting pictures and conjuring places through a pen that first and foremost keeps on moving. Her insight and sincerity will tackle the most persistent of inhibitions, calling back every kid who quit drawing to again feel alive at the experiential level. Comprised of completely new material, this is her first Drawn & Quarterly book." -Drawn & Quarterly

"Set in both North London and the Faerie kingdom, God Save the Queen tells the story of a rebellious teenager who falls in with a group of slacker faeries. She discovers that for faeries, the ultimate rush is Red Horse, a drug made from heroin and human blood. It's a dangerous high, and when she gets hooked she's drawn into a civil war that becomes a struggle to the death between Queen Titania and her predecessor, Queen Mab." -Vertigo

"Awkward, Definition, Potential, and Likewise chronicle my four years at Berkeley High School. I wrote each book during the summer after the school year I was documenting. The books cover crushes, band obsessions, new friendships, drinking and smoking pot, my obsession with science, coming out as bi, coming out as gay, falling in love, losing my virginity, my parents’ divorce, and the personal and social complications of writing about my life as I live it." -Ariel Schrag

"A scathing and meticulously documented autobiographical triumph." -Alison Becdel, author of Fun Home

 

" "The real war," said Walt Whitman, "will never get in the books." During World War II, the closest most Americans ever came to the "real war" was through the cartoons of Bill Mauldin, the most beloved enlisted man in the U.S. Army.

Here, for the first time, Fantagraphics Books brings together Mauldin's complete works from 1940 through the end of the war. This collection of over 600 cartoons, most never before reprinted, is more than the record of a great artist: it is an essential chronicle of America's citizen-soldiers from peace through war to victory.

Bill Mauldin knew war because he was in it. He had created his characters, Willie and Joe, at age 18, before Pearl Harbor, while training with the 45th Infantry Division and cartooning part-time for the camp newspaper. His brilliant send-ups of officers were pure infantry, and the men loved it.

After wading ashore with his division on the first of its four beach invasions in July 1943, Mauldin and his men changed — and Mauldin's cartoons changed accordingly. Months of miserable weather, bad food, and tedium interrupted by the terror of intense bombing and artillery fire took its toll. By the year's end, virtually every man in Mauldin's original rifle company was killed, wounded, or captured.

The wrinkles in Willie and Joe's uniforms deepened, the bristle on their faces grew, and the eyes — "too old for those young bodies," as Mauldin put it — betrayed a weariness that would remain the entire war. With their heavy brush lines, detailed battlescapes, and pidgin of army slang and slum dialect, Mauldin's cartoons and captions recreated on paper the fully realized world of the American combat soldier. Their dark, often insubordinate humor sparked controversy among army brass and incensed General George S. Patton, Jr." -Fantagraphics

"An intimate look at the work and life of a legendary artist. Gary Panter has been one of the most influential figures in visual culture sincethe mid-1970s. From his era-defining punk graphics to his cartoon icon Jimbo to his visionary design for Pee-Wee’s Playhouse, he has left his mark on every medium he’s touched. Working in close collaboration with the artist, PictureBox has assembled the definitive volume on Panter’s work from the early 1970s to the present. This monumental, slipcased set is split into two 350-page volumes. The first is a comprehensive monograph featuring over 700 images of paintings, drawings, sculptures, posters and comics, alongside essays by Robert Storr, Mike Kelley, Richard Klein, Richard Gehr, Karrie Jacobs and Byron Coley, as well a substantial commentary by the artist himself. The second volume features a selection from Panter’s sketchbooks–the site of some of his most audacious work–most of which has never been published in any form." -PictureBox

 

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